Mostrando entradas con la etiqueta Rosemarie DeWitt. Mostrar todas las entradas
Mostrando entradas con la etiqueta Rosemarie DeWitt. Mostrar todas las entradas

23 sept 2015

Touchy Feely (3/10): Better not touch it!

“Due to some unforeseen circumstances I will not be seeing clients for the time being.”

I was a huge admirer of Lynn Shelton’s film, Your Sister’s Sister, and I even included it on my list of the best movies of 2011 so I was eagerly anticipating what she would do next. I loved the way she captured those characters in such an authentic way and I was onboard for her mumblecore experimentation once again. Knowing that Rosemarie DeWitt was going to be back for the lead role was one of the main reasons I included Touchy Feely in my most anticipated movies of the year list. It didn’t hurt either that Ellen Page was going to play a supporting role since I was a huge fan of her work in Hard Candy and Juno. Everything about Touchy Feely had my expectations high rocketed to the sky, but then 2012 came and poor word of mouth lowered my expectations to such a degree that I never ended up seeing it until now. It was a major letdown and it made Lynn’s previous film, Laggies, seem like a masterpiece next to this. This is a dramedy that feels completely uneven and the plot doesn’t seem to go anywhere. I didn’t like any of the characters here and their motivations were hard to understand at times. The film was a mess and the pacing was so slow that this 90 minute film felt like it was three hours long. For a film trying to explore the interrelationships between these characters there was nothing to be said or discovered. Even the actors seemed to be lost and not fully understanding what their characters motivations really were. 

Abby (Rosemarie DeWitt), a successful message therapist, and her boyfriend Jesse (Scoot McNairy) are enjoying a lovely dinner at her brother Paul’s (Josh Pais) home. Paul, emotionally distant and a bit depressed, lives with his daughter Jenny (Ellen Page) who has sacrificed her personal dreams to assist her father at his dental practice, which isn’t exactly flourishing. Abby on the other hand is sought after for her great hands and seems to be going through a good moment in her life. She recommends his brother visit her Reiki instructor, Bronwyn (Allison Janney), who has done amazing things for her. Things take an unexpected turn in the family dynamics however when Abby suddenly develops a strange aversion towards skin which affects her work life. After Paul helps one of his patients recover from a terrible tooth pain, his dental practice begins to flourish due to the positive word of mouth his “healing hands” are receiving. While his relationship with his daughter seems to be getting stronger, Abbie’s new aversion to skin affects her relationship with Jesse.

Despite the pretty original premise the film fails to explore Abby’s problem. It’s just a technique used to shake the interpersonal relationship in the family, but there is nothing that Lynn is trying to explore with her new found aversion. I really didn’t understand why her character didn’t simply explain to Jesse what she was going through because I’m sure he would’ve understood. He seemed like a pretty comprehensive type of guy. The introduction of Ron Livingston’s character only feels like a filler and doesn’t do anything to build the story. Ellen Page delivers a solid performance once again, but her character is trapped inside her emotional wall which doesn’t allow her to fully blossom. Pais and DeWitt are the true stars of the film and their performances are the highlight of this forgettable film. Pais especially captures the eccentricities of his character in a rather natural way. I found the New Age mysticism in the film a bit too preachy and the indie quirkiness a bit too familiar. The tone of the film just dragged it down for me and I had a hard time relating to the characters or caring for any of them.  


26 feb 2015

Kill the Messenger (7/10): A story worth hearing about.

“Some stories are just too true to tell.”

Ten years after their initial collaboration together in 12 and Holding, director Michael Cuesta and Jeremy Renner team up for this political thriller based on the true events surrounding the life of journalist Gary Webb and the investigation that led him to uncover  a conspiracy between the CIA and some Nicaraguan drug dealers with the specific purpose of arming the Contra rebels fighting the war against drugs in that country. It’s a shame the film didn’t do well at the box office because Jeremy Renner gives his best performance since The Hurt Locker. He does a convincing job portraying this journalist who during the first half of the film is doing some great investigative journalistic work and in the later half is trying to protect his family and convince people that he is telling a true story when he becomes the target of a smear campaign. 

Many people have claimed that the theme of the film is outdated considering the events took place during the early 90’s, but I have to disagree. With everything that has happened in the last couple of years with the Snowden whistleblowing incident I think we can learn a few things about government conspiracies and journalistic unbiased reporting. Having watched the Academy Award winning documentary CitizenFour recently, I have to admit the way he came out in public with the information was rather brilliant. There was no way he could leak this story to a journalist in the USA because what happened to Gary Webb would probably happen to him. It seems that the American government has a history of washing away their guilt by pointing the finger at someone else and smearing their image. That is what happened with Webb when all of a sudden the focus stopped being the story he reported and everything started centering on who he was and his past. That is why in the documentary Snowden is always concerned with getting the story out in the public first before coming out because he knew that as soon as his name was out there, the story would shift its focus on him. It is something that continues to repeat itself in history so forgive me if my faith in good journalistic reporting is a bit shaky. They simply shift the attention of the story and instead of digging into it and uncovering conspiracies they end up smearing the name of the person who is trying to expose the crimes of our country because it is much easier and convenient to do so.

The film works best during the first hour when the actual conspiracy is being investigated by Renner’s character. The journalistic investigation was thrilling and gripping as Webb began following each lead and ultimately unraveling a dangerous conspiracy. During this first hour there are a number of strong performances as we get cameos from Andy Garcia and Michael Sheen. Mary Elizabeth Winstead also delivers a solid performance as Webb’s editor while Oliver Platt convincingly portrays Webb’s boss. In the second hour the film does lose some of its grip when it begins to shift the focus of the journalistic story to the smearing campaign and some family issues that ensue. Rosemarie Witt however delivers a strong performance as Webb’s wife. Despite some issues with the pacing during the second half of the film, the brilliant cast makes up for it and keeps un engaged. Kill the Messenger is a solid entry into the investigative journalism genre. I’m glad the story got told, but it’s unfortunate that not many people went to see it.   

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5 ene 2015

Men, Women & Children (4/10): Reitman's sermon against social media lacks subtlety

“Like it or not, for the moment The Earth is where we make our stand.”

Jason Reitman’s latest film, Men, Women & Children, left me speechless but I don’t mean that in a good way. I was a huge fan of Reitman’s first three films: Thank You for Smoking, Juno, and Up in the Air so I went into this movie with high expectations despite his recent misses with Young Adult and Labor Day. Juno is one of my favorite films so I still look forward to what Reitman is working on next, but I sure hope he teams up with Diablo Cody soon because his scripts lack that sharp and witty dialogue. The greatest problem with this film (which failed to connect with audiences in the theater making less than 1 million at the box office) is that it feels too preachy. Reitman screams out his message about the dangers of social media in the most clichéd ways. First, he establishes several familiar characters that play a certain stereotype with the purpose of getting his message across. For instance you have the over protective mother who is highly exaggerated in the way she controls what her daughter is doing and who she is chatting with, then you have the other extreme where a mother is managing her daughter’s life in order for her to become famous by uploading sexy pictures of her in a website, and finally you have a father who has trouble communicating with his son and basically lays off of him after his wife has abandoned them. These characters all play certain stereotypes and have no personality whatsoever. Reitman also tries to tackle other familiar social issues like porn addiction, unfaithfulness, anorexia, and video gaming by portraying how social media has changed the way we live our lives. The message is heavy handed and we’ve seen it portrayed many times in the past in better films. Another issue I had with Men, Women, and Children is that it lacks subtlety in the way the message should be delivered. It is also heavily one-sided and never tries to portray the positive side of social media. My final complaint has to do with Reitman’s decision of including a voice narration from Emma Thompson with scenes of a satellite traveling across the galaxy showing how small our planet is in the vastness of our universe. It was too ambitious for a film that never feels authentic or groundbreaking. 

Perhaps the greatest thing about Men, Women, and Children are the performances from the impressive cast. Adam Sandler and Rosemarie DeWitt play a struggling married couple very well. Sandler gives a very restrained performance as he has done in past dramas and once again proves that he has a range when it comes to acting. Reitman could have taken a similar approach with this film and been more subtle and restrained in the way he was trying to deliver the message. Jennifer Garner and Judy Greer are given perhaps the most exaggerated characters in the film so many people might have a problem with their performances, but I thought they delivered strong roles despite the poor material they had to work with. Breaking Bad fans will also be delighted to see Dean Norris on screen again as he delivers in his supporting role. The teens in this film also give convincing performances beginning with Ansel Elgort who is the football star of his High School, but decides to give up on playing the sport and becomes addicted with online video gaming. Kaitlyn Dever, who was great in Short Term 12, delivers once again as the teen whose interactions are overseen by her overprotective mother. Olivia Crocicchia plays the sexy teen who is encouraged by her mother and dreams of becoming famous. Elena Kampouris plays the anorexic teen who is searching for acceptance from her crush. The performances are all solid and despite the fact that there are many different storylines they all get sufficient screen time. The only problem is that they all play familiar stereotypes and I didn’t find a distinct personality in anyone of these characters. They all seem to be playing a specific role in order to deliver a message. J.K. Simmons, who frequently collaborates with Reitman, also has a small role in this film but he is underused. This drama failed to connect with me perhaps because the timing of the film was a bit off and it also lacked subtlety. 


20 dic 2012

My Review: Your Sister`s Sister (9/10)



¨What ever you think is helping you; I have a responsibility as your friend to tell you that it's not.¨

Your Sister`s Sister is Lynn Shelton`s follow up to Humpday, which happens to also star Mark Duplass. Shelton does a really good job with this small independent movie by making everything flow so naturally. The film is basically an improvised character study between three people dealing with different situations in a cabin on a beautiful location, and the script which was also written by Shelton was really clever. I can`t say how much credit Shelton should receive since most of the conversations taking place in the cabin happened to be improvised and spontaneous, but the general idea and twists in the film I thought were really ingenious. I found this romantic comedy extremely funny and I really laughed during the various altercations and revelations between the three characters. Mark Duplass has had a great year considering he also starred in the hilarious Safety Not Guaranteed which I enjoyed a lot. He was great here as well and he shared great chemistry with the other two main characters. Emily Blunt always makes interesting films as well. I loved her in last year`s The Adjustment Bureau and she was also good this year alongside Ethan McGregor in Salmon Fishing in the Yemen, but this was probably her best performance in a while. I wasn’t very familiar with Rosemarie DeWitt, but she was great here as well. All three actors had great chemistry together and created interesting backgrounds for each one of their characters. Your Sister`s Sister is really a lovely indie film, and one I really enjoyed. Many people were unhappy with the ending, but I found it to be perfect for this movie. I guess that the reason some people might have for not liking this movie has to do with that ending, but I highly recommend it.

The movie opens with a bunch of friends gathered together remembering a friend in common who passed away a year ago. While one of the friends is giving his heartfelt eulogy, the dead guy`s brother, Jack (Mark Duplass) interrupts and asks everyone to be more sincere about him. Evidently it has been a tough year for Jack and his brother`s death has taken a toll on him as he continues to mourn for him. Iris (Emily Blunt), who happened to be Jack`s brother`s ex girlfriend long before he passed away, is also Jack`s best friend; and she recommends him to go to his father`s cabin on a beautiful island in order to get his mind straight. Jack accepts Iris`s invitation and decides to go to the cabin. Once he arrives at the cabin he discovers that someone else is already there. It happens to be Hannah (Rosemarie DeWitt), Iris`s half sister who he has heard a lot about but never met. Hannah is there trying to get over a seven year relationship she had with her girlfriend Pam. The two begin talking and sharing drinks and up having sex. The next morning Iris surprisingly shows up after getting a few days off work and Jack and Hannah decide not to say anything about what happened the night before. This is where the hilarious moments and revelations begin to take place. There are several twists that take place as well, but the less you know about it the better.

Your Sister`s Sister is really a well made film, full of spontaneous and natural moments that are worth watching. It`s hard to believe that most of the dialogue was improvised because the film felt like it was cleverly crafted, but it works better because for a while you forget you are watching a movie and you begin to think you are looking at these people`s real lives. Not even a reality show makes you feel like this. I can`t count how many times I laughed with the mess these characters were getting into by covering each lie and the revelations that came from them. I really loved the performances as well so I honestly have to say that this is a film you should watch despite maybe not hearing of it due to its low budget. One thing is for sure, that after the success that Shelton is having as a director she will be getting a bigger budget for her next projects, and I will be looking out for them. I had a fun time with Your Sister`s Sister, and you probably will too.