Mostrando entradas con la etiqueta Clive Owen. Mostrar todas las entradas
Mostrando entradas con la etiqueta Clive Owen. Mostrar todas las entradas

15 abr 2015

Last Knights (4/10): The familiar Samurai tale now told through Knights

“The code was simple: Possess an absolute devotion to one’s Master.”

Last Knights is Japanese director, Kazuaki Kiriya’s third feature film, but his first one with well known Hollywood actors. What he attempts to do here is blend the familiar story of the 47 Ronin and adapt it to the Medieval world of knights. Why would you want to trade samurai soldiers for knights? I have no idea because it actually doesn’t work. You have these men living by a code of honor similar to the samurai, but there is nothing fresh or unique about the idea because the entire story becomes completely predictable and generic. During this feudal world, Captain Raiden (Clive Owen) is completely devoted to serving the house of Bartok (Morgan Freeman), his wealthy and caring Master. Second in command is another loyal knight, Lt. Cortez (Cliff Curtis). These knights live by a strong code of honor and respect for their Master, but when Bartok is dishonored by the Emperor’s corrupt advisor, Gezza Mott (Aksel Hennie), the knights are dismantled. Will the knights be able to rise again and avenge their Master or will they fall into despair and go back to their old ways? If you’ve seen any samurai movie you probably know what to expect. 

The greatest issue I had with Last Knights is its lack of originality. We’ve seen the film played out many times before and that makes the pacing of the film feel incredibly tedious because we know what is going to happen next. Kiriya tries to take his time establishing the setting and building the characters, but since we’ve seen this world before it doesn’t do anything for the audience. Clive Owen is a fine actor, but he’s even played this role before in King Arthur, a knight who is completely devoted to the cause. Morgan Freeman is one of those actors who you could close your eyes just to hear him speak and that is basically why he’s in this, to narrate the introduction of the film and set the premise. Last Knights can easily be divided into three acts, the first being the introduction of each character and the injustice they must face, the second which takes up most part of the film centers on the build-up of each character, and the third part of the film and by far the most exciting is the climax where vengeance is coming. The problem is that neither the introduction or the character development manage to engage the audience and everything is taken way too seriously for us to be entertained by it. 

The characters are completely one dimensional. Only Clive Owen gets to play a meaty role, but everyone else is simply playing a stereotypical character in a film like this. And even watching Owen on screen you can’t help but feel the familiarity of having seen him play this role before. The villain is perhaps the best example of how stereotypical the characters in this film are. You couldn’t have Aksel Hennie play a more evil or sadistic man than he is here: he beats his wife, abuses people, accepts bribes from other noble men, and to top things off he hurts animals. He’s also a coward who surrounds himself with thousands of guards and a heavy fortified home. That is what actually makes the final climax scene quite entertaining. The action is delivered quite well and it makes up for some of the tedious pacing during the first 80 minutes of the film. Is it enough to recommend the film? Not even close.   


4 jun 2014

My Review: Blood Ties (5/10)

"It'll be your wedding present."

Blood Ties is a 70's crime drama that not only is a remake of a 2008 French film (Les liens du sang), but it also feels familiar to other films in the genre. One that came to mind while watching this film was James Gray's We Own the Night considering it deals with two brothers who are on different sides of the law. Ironically I found out after the film that the screenplay was adapted by director Guillaume Canet with the help of Gray himself. Despite that, I enjoyed this film because I like 70's crime dramas but it really didn't add anything to the genre and it was very predictable. The ensemble cast in Blood Ties is probably the strongest asset of the film, although I have to admit the production design was also pretty strong as it gave the film an authentic 70's vibe. Blood Ties is a great film to look at, and the actors all give strong performances, but the issue I had with this film beside the fact that it was predictable was that every gray character in the film was given a redemptive scene every time something bad was going to happen to them. I felt this was kind of a weak shot to manipulate the audience's feelings and try to engage them emotionally. It really took me out of the movie because it happens throughout the film with various characters. Blood Ties is still worth a shot if you enjoy crime dramas or if you like the talented cast involved. The performances stand out in an otherwise predictable and standard film. 

Blood Ties is a remake of a French film that also happened to be based on a French novel written by Michel and Bruno Papet. The screenplay for this film, which was adapted and relocated to New York, was written by Guillaume Canet and James Gray. Canet had previously starred in the original French film as one of the brothers. The film takes place during the 70's and it centers on a rather dysfunctional family. Two siblings, Frank (Billy Crudup) and Marie (Lili Taylor), await for their brother Chris (Clive Owen) to be released from prison. Frank happens to be a promising police officer, and he tries to help Chris stay away from trouble by finding him a job and giving him a fresh start. The first thing they do after they release Chris is visit their father, Leon (James Caan) at the hospital, who has just had one of his lungs removed. Next Frank takes Chris to visit his ex wife, Monica (Marion Cotillard) and their two children, although she doesn't seem to happy about it. Frank allows Chris to stay at his apartment, but eventually Chris's past catches up with him when he falls for the beautiful Natalie (Mila Kunis) whom he wants to provide a better life for. Frank is also trying to reconnect with a former lover, named Vanessa (Zoe Saldana), who has a daughter and is in a relationship with a man who he just put behind bars (Matthias Schoenaerts from Rust and Bone). As Chris reconnects with his criminal life, it puts Frank at an awkward position in his job as the two paths are destined to crash at one point.

Marion Cotillard is terrific once again in this film. There is one scene where she doesn't say anything, but the look in her eyes say it all. She is just a supporting character, but every time she is on screen she steals the show. Billy Crudup is the lead here and he delivers a solid performance. His character is more reserved, but he expresses his inner struggles very well. Clive Owen was on a role between 2004 and 2009 starring in several great films, but I haven't seen much from him since. He gives a solid performance here and easily one of his best over the past 5 years. Mila Kunis isn't given much to work with, but she does her job. Every character in this film seemed to have some important role and the casting was brilliant. Blood Ties is a decent film, the only problem is that the source material has been covered before making the story seem predictable.