Dead Man Walking (9/10): A thought provoking spiritual drama.

“I want the last face you see in this world to be the face of love, so you look at me when they do this thing. I'll be the face of love for you.”

Dead Man Walking is a film that explores the unique and unexpected bond formed between a Catholic nun and a convicted murderer on Death Row. I know this doesn’t exactly sound as a compelling plot nor a crowd pleaser, but it was definitely a thought provoking film and surprisingly one of the best movies of 1995 thanks to the strong performances. Tim Robbins adapted the screenplay from Sister Helen Prejean’s nonfictional book of the same name, and he also directed this inspirational spiritual drama that avoids being one sided and preachy by approaching the material through several different viewpoints. Sister Helen Prejean may be an advocate for the abolition of the death penalty, but this film rather than take sides on the issue allows for both views to make their case and doesn’t seem to have a hidden agenda. Robbins could’ve taken the easy way out by making the convicted murderer more sympathetic, but from the very first scene he’s in, we know this is no saint and the film doesn’t shy away from what he did and the effect his actions had in the family of the victims. This is one of those rare films that approaches a controversial subject and succeeds at being balanced, which makes it a great tool for discussion.

Sister Helen is probably one of the most authentic Christian characters portrayed on film as she is purely empathetic towards everyone around her. She isn’t forcing her religion on this convict or trying to convert him, but rather finding a way for him to come to terms with what he did and find redemption by taking responsibility for his actions. She truly cares for this man, who isn’t exactly a role model, and there is never any judgement in her words. It is rare to find a spiritual character like this portrayed on film in such an honest way, and Susan Sarandon takes the strong material and delivers one of her best performances to date. She simply cares for everyone around her and she is trying to do what is right because she is committed to her beliefs, and she actually applies them which is a rare thing (not even Christian films seem to get this right at times). Sean Penn also delivers a strong performance as the convict, Matthew Poncelet, who every time he opens his mouth the less sympathetic he is, but it is evident he is trying to hide his true emotions and blame everyone else for what he has become. His chemistry with Sarandon is what carries this movie, but there are also several strong supporting performances. Margo Martindale is an actress that is often overlooked, but she deserves more recognition. She can effortlessly play a villain like in The Leftovers, or a loving and supporting Sister like she does here. R. Lee Ermey and Celia Weston play the resentful parents of the victim, and they share a great scene with Susan Sarandon that says a lot about her character. Tim Robbins hasn’t directed a better film and I think he owes much of the success of this movie to the strong performances along with his well written and thought provoking script. 

My Review: August: Osage County (5/10)

"I thought we were having a funeral dinner not a cockfight."

Based on Tracy Letts' Pulitzer winning play of the same name, August: Osage County is a dark comedy about a dysfunctional family that are reunited for their father's funeral and several secrets are revealed along the way. This is director John Wells' follow up to his 2010 film The Company Men, with Letts adapting the screenplay of his own play. Add a very talented cast to the mix and you have all the right elements for a successful film, but somehow it failed to engage me. The characters in this film are so unlikable and they treat each other so terribly that I just found this film hard to enjoy. This is one family I would like to stay as far away as possible, and therefor I never felt comfortable watching this. This is an extremely verbally violent film which proves the point that words can hit harder than stones. August Osage County does have several positive things going for it beginning with some terrific performances from Meryl Streep and Julia Roberts. It also has a very witty and sharp screenplay as several secrets revealed along the way come as a surprise. It is a powerful film, but one that I never felt comfortable watching due to the fact I despised the way these characters treated each other. It was a depressing film, much like Lett's previous adapted play, Killer Joe. Despite having some fun moments I still felt like I'd be better off keeping away from this depressing story.

The film opens with Beverly (Sam Shepard) interviewing a young Native American woman named Johnna (Misty Upham) for a position as a live-in maid. He tells her about his wife Violet (Meryl Streep) who has been diagnosed with cancer and her addiction to pills. He and his wife have made an agreement, he doesn't say anything to him about her addiction and she doesn't bother him for being an alcoholic. It's just the way they deal with each other and their problems. Violet interrupts the interview and seems disturbed because she doesn't think she needs anyone taking care after her. Several days later it appears that Beverly has gone missing. The first to arrive at Violet's home providing support are her daughter Ivy (Julianne Nicholson), her sister Mattie Fae (Margo Martindale) and Fae's husband Charlie (Chris Cooper). Violet spends most of her time drinking pills and criticizing her family, especially Ivy for still being single. Violet's oldest daughter, Barbara (Julia Roberts) arrives with her husband Bill (Ewan McGregor) and their fourteen year old daughter Jean (Abigail Breslin) just around the moment that they discover Beverly's boat is missing. Later that afternoon, the local sheriff arrives and announces they have found Beverly's body, saying that he committed suicide and drowned himself. Several days later the funeral is held and the rest of Violet's family arrives, including her other daughter, Karen (Juliette Lewis) with her fiancé Steve (Dermot Mulroney) . The stage is set as they gather together for diner after the service and chaos ensues as secrets are revealed and horrible things are said to each other.

Meryl Streep may have just played her meanest role to date. She is a paranoid and dysfunctional woman who clearly has affected her children in the way she raised them. Julia Roberts also holds her own against Streep as they share some very powerful scenes together. The dialogue is witty and funny at times, while revealing some surprises along the way, but it's just the way these people treat each other that makes you want to stay away from them. The performance from the entire cast was above par, and the film succeeds in portraying them as these despicable and hateful people. Benedict Cumberbatch and Chris Cooper being both perhaps the most sympathetic characters in the film, although they do have their flaws as well. Despite all the strong performances I do believe Roberts and Streep steal each scene they are in. They deserve all the recognition they've been receiving, but I just had a hard time watching this movie and getting through the entire thing. This is one of those stories that seem to have worked better as a play than in the big screen.

My Review: Secretariat (8/10)

¨This is not about going back. This is about life being ahead of you and you run at it. Because you never know how far you can run unless you run.¨

Secretariat is one of those rare sports movies that manages to hook your attention and maintain the suspense despite knowing how it will turn out at the end. It`s impossible not to fall in love with this horse and his story. Disney was the right choice for the production of this film considering their success with other family friendly sport films like Remember the Titans. Secretariat was voted as one of the best athletes of the century (number one on the list if we don`t count human performances), and several of his records still stand to this very day nearly 40 years later. His story had to be told in film as Secretariat is considered to be the best racehorse of all time. The story involving his owner, Penny Chenery, and how she saved her ailing father`s stable risking everything (including her marriage) and betting it on the horse just adds to the overall dramatic effect of the plot. Secretariat reminded me a lot of another good racehorse film: Seabiscuit. I wouldn`t say this is a better movie, it`s different, but I can say that Secretariat was a better racehorse that won the most important races, including the Triple Crown in 1973 (a feat that hadn`t been accomplished in 25 years). Randall Wallace (writer of Braveheart and director of We Were Soldiers) did a good job with the direction of this film, despite being better known as a screenplay writer. The screenplay for Secretariat was written by Mike Rick, which was adapted from William Nack`s book about the large chestnut colt nicknamed ¨Big Red.¨

Diane Lane is Penny Chenery, a mother of four and housewife who`s life changes after her mother`s death and a visit to their stable based in Virginia. Penny`s father used to be the brains of the entire operation in Meadow Stables, but with the death of his wife and his illness things are going downhill at the stable. Penny decides to change things around in order to save the stable and begins by firing their trainer who seems to be making some unfavorable deals with other owners by trying to sell their horses at a much lower value. Penny with the help of the family`s trustworthy secretary, Miss Ham (played humorously by Margo Martindale) begins managing the place. The first smart move she makes is breeding one of her horses: Somethingroyal with a famous Thoroughbred racehorse named Bold Ruler. The result was the birth of the large chestnut colt nicknamed ¨Big Red¨, but better known in the horseracing world as Secretariat. Penny hires Lucien Laurin (John Malkovich) as the trainer and Ron Turcotte (Otto Thorwarth) as the jockey, and along with the groom, Eddie Sweet (Nelsan Ellis) together they form a great team and foster the first Triple Crown winner in 25 years. Of course the movie can`t be successful if it doesn`t have some drama in it, and so some problems surface back home with Penny`s husband, Jack Tweedy (Dylan Walsh), because running a stable back in Virginia has affected Penny with her housewife duties. Somehow Penny has to manage saving the stable in a macho dominated society and maintain her family together, while risking everything on one horse: Secretariat.

Secretariat succeeds as a film because the story is just so powerful and uplifting. The movie deals with overcoming difficult odds and following one`s dream. Penny had a good life as a housewife, but all this had led her far away from her early goal of following her father`s footsteps and managing the Meadow Stables. Once the opportunity presents itself to her she quickly takes on the difficult task and decides to follow her long life dream. Secretariat teaches us that it`s never too late to follow one`s dreams and overcome difficult situations. Disney has always been good at reminding us how important it is to fight for our dreams. Life is a race and if we don’t wake up in time our dreams and goals might just end in that: only dreams and we will never achieve anything if we don`t take risks in order to live out our dreams. Penny took the risk and bet it all on Secretariat who didn`t fail her. The story of this colt is just amazing and inspiring. The final scene where he is racing at the Belmont Stakes is just mesmerizing and left me full of goose bumps. Secretariat was such an amazing horse, and his story is done justice in this family friendly film. It is a strong, memorable movie that teaches us some important lessons while at the same time never ceases to entertain it`s audience. The performances in this movie are also great. Diane Lane as Penny and John Malkovich as Lucien give memorable and fun performances. Secretariat is a movie for the entire family to enjoy.

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