Mostrando entradas con la etiqueta Liv Tyler. Mostrar todas las entradas
Mostrando entradas con la etiqueta Liv Tyler. Mostrar todas las entradas

18 ago 2015

Robot & Frank (6/10): An original futuristic take on aging.

"The human brain, a lovely piece of hardware.”

Jake Schreier won the Feature Film Prize at Sundance in 2012 for this original dramatic comedy and it’s easy to see why. There are few films in Hollywood that deal with aging and when they do they are usually handled in an overly sentimental or poorly manner. By simply looking at the poster alone, I thought I knew what this movie was going to be about: an odd pairing of a grumpy old man refusing to accept the assistance of a robot but who would eventually get to befriend it and accept it. Robot & Frank however was nothing like I expected and the story had a very original premise with a strong central performance from Frank Langella. It also stands out in its depiction of the future, which seems much more believable and approachable than most futuristic dystopian movies. It is a simple movie that approaches the subject of aging in a rather simple but realistic manner. 

Frank (Frank Langella) is a former jewel thief who has served time in prison, but is now living on his own in an upstate New York town. His son, Hunter (James Marsden) takes long drives to come visit him during the weekends to check up on him and during one of those visits he brings him a robot (voiced by Peter Sarsgaard) to assist him. The robot specializes in healthcare, but Frank isn’t too keen about having him around. Not knowing how to shut if off he eventually gives in and allows it to do the chores in the house. During the course of the movie we realize Frank is beginning to have trouble remembering things (showing early signs of dementia), and that is why his family is concerned for him. His daughter, Madison (Liv Tyler), is a philanthropist who is always traveling to foreign countries but also tries to check up on him when she has a chance. Frank’s robot wants him to begin a new project in order to improve his health and it believes that Frank should take on gardening and establish a daily routine. But Frank has other ideas, he wants to plan for a new heist and he easily convinces the robot that it is a good idea. Susan Sarandon also has a supporting role in this film as a local librarian that Frank frequently visits, but there isn’t much of a romantic arc. The film is basically a dramatic comedy centering on the relationship Frank forms with his robot and how his family deals with his illness. 

Langella is the true stand out here and he carries this movie with his solid performance. There were moments were the pacing seemed to drag, but his character simply captivated me and got me through some of those patches. I had some issues with the ending as well, which seemed a bit too neatly wrapped for a film that basically was staying away from genre formulas and conventions for almost its entire runtime. But for a film that centers on a relationship between an old man and a robot it does feel quite fresh in that unlike with most sci-fi films, here there is no conflict as to if the robot will develop a consciousness or not. It never seems to be an issue here and he constantly reminds Frank that he is not alive. This isn’t a man versus machine type of movie, it is more interested in showing how technology can help improve our lives as is the case with Frank, although there are of course dangers implied with it, depending on how we use this technology. The screenplay focuses on that intimate relationship between Frank and his robot, and that ends up being the highlight of this film.        


3 ene 2014

My Review: Super (4/10)

"Actually, the guy's kinda got a point. I mean, I wonder all the time why no-one's never just stood up and become a real superhero."

Before getting excited about James Gunn's upcoming superhero film, Guardians of the Galaxy, I decided to check out his earlier work which also happened to be a superhero movie, although it counted with a much lower budget. Super is a gritty film that suffers from being over the top and extremely violent at times. The major weakness of this film is that it never quite manages to balance the comedic moments with the drama. The entire film felt cheap and cheesy and I just never fell for this dark comedy. This proves once again that what Quentin Tarantino does isn't easy at all, and films like this end up feeling like they glorify violence too much. I was actually more of a fan of Kick Ass which actually managed to balance these themes, but in Super the violence never works. From the opening cheesy credits this film just felt completely out of place and the only thing that redeems Super are the strong performances from Rainn Wilson and Ellen Page. I'm a huge Page fan, and she was hilarious in this film, but it wasn't enough for me to enjoy the dark humor. The shaky camera didn't work for me either as it has in the past with other films like Cloverfield or The Bourne Supremacy. I was disappointed with this film considering I had heard great things about it. 

The films centers on a cook named Frank (Rainn Wilson) who has felt like a loser most of his life until he found his true joy when he met and married Sarah (Liv Tyler). Sarah is a former junkie who fell for Frank right after being rehabilitated, but after a while she had a relapse and ended up leaving Frank for a drug dealer named Jacques (Kevin Bacon). Frank becomes depressed once again, but after having a vision he decides to become a superhero to fight evil in the streets and try to rescue Sarah from the evil men that have seduced her. Frank becomes a street vigilante who wears a red mask and uses a pipe wrench as a weapon calling himself the Crimson Bolt. A clerk from a comic book store who he befriends becomes his sidekick. She calls herself Boltie (Ellen Page) and due to her eccentric personality and her thirst for blood she is excited to team up with The Crimson Bolt. Together they decide to fight crime and bring justice back to the streets.  

Super suffers from having a split personality and not really knowing what tone it should have. At times it feels cartoonish and extremely violent, while at other moments it begins to take itself seriously and is more dramatic. This is a film that suffers from what I like to call a bipolar disorder. Despite some great performances the story never is executed correctly and at the end I felt completely disappointed with this film. It is funny at times, but then you realize it is actually a one joke movie as it beats you over the head with the same joke over and over again only shifting in tones dramatically at random moments. Nathan Fillion does have a funny small role here as the Holy Avenger who inspires Frank to become The Crimson Bolt, but it wasn't enough to save this movie. I really didn't like the tone of the film and felt uncomfortable watching this.