Awakenings (8/10): In which Williams awakens the great De Niro

“People have forgotten what life is all about. They've forgotten what it is to be alive. They need to be reminded.”

       

Following the huge success of her 80’s comedy, Big, director Penny Marshall decided to approach a much more sensitive and serious subject matter in her next film based on Oliver Sacks’ semi-biographical book about his work in a ward with patients in catatonic state. Robin Williams was cast to play Dr. Sacks, although the character’s name was changed to Dr. Malcolm Sayer, a shy doctor who prior to have been hired at the ward had very little experience working with patients. He was obsessed with researching and doing lab work, but those skills came in handy when he began treating the catatonic patients at the ward. He discovered that several of the patients that had been in the ward for decades had one thing in common: they had survived a rare form of encephalitis, but the disease left them in their current catatonic state. Most of the doctors believed there was no treatment for these patients, but he began to discover that some of them responded to certain stimuli. Not giving up on them, he decides to attend a lecture where he discovers a new drug that had been effective on patients suffering from Parkinson’s, and he believes it might just help awake his patients as well. 

Casting Robin Williams for the role and having released this only two years after the commercial success of Big, one could easily have expected this to be a comedy, but casting Robert De Niro as the other lead easily put to rest that assumption. De Niro had also worked on Goodfellas the same year as this and he continued to be at the prime of his career. In Awakenings he plays Leonard Lowe, one of the patients who has remained in the same state for nearly four decades and who is still being cared for by his mother, Mrs. Lowe (Ruth Nelson), at the clinic. With the approval of the other doctors at the ward and Leonard’s mother, he is chosen for a trial run with the drug. It doesn’t take too long for Dr. Sayer to see the results he was expecting as Leonard seems to wake up from his catatonic state. The two begin to form a special bond and the positive results induce Sayer to test the drug on the rest of the patients in the ward in a similar way. As we become witnesses of Leonard’s awakening we also begin to see life through his eyes as someone who feels he has lost so many years and now wants to enjoy life to the fullest. His awakening serves the reclusive Doctor as a reminder to begin living life and enjoying human interaction. There is a sub plot revolving his relationship with a nurse from the ward played by Julie Kavner, but the main theme is Sayer’s relationship with these patients. 

Marshall’s film was nominated for Best Picture, and just like her previous movie it also earned a nomination for the lead actor, De Niro. De Niro does a superb job playing this awakened catatonic patient, and it is evident that he did his homework and studied every single facial and body tic of the real patients. Sacks had filmed his patients in real life during their awakening periods and so there was a lot of material they had to work with. Robin Williams plays a much more restrained character than what we were used to seeing him do, so his performance might not seem as delightful as his other films but he delivers a solid dramatic turn. The third nomination that the film received was for Steven Zaillian’s adapted screenplay which was powerful. He didn’t win the Oscar for this film, but he went on to win it two years later for his work in Schindler’s List. Spielberg said it was his adaptation in Awakenings that earned him the job for his film. This movie is emotional and touching without being manipulative because it sticks to the true story which was definitely one that had to be told in the big screen.         

Would You Rather (3/10): I'd rather not...

“Would you rather...?”

I’ve never considered movies like this to be horror films because for me there has to be actual scares involved and not just gory scenes. I know that they still succeed at shocking and grossing out the audiences, but there is really no actual fear involved. Perhaps my definition of horror isn’t actually accurate, but I’m not a huge fan of these torture porn movies. David Guy Levy borrows several familiar elements here from the Saw franchise and Eli Roth’s Hostel, although with a much lighter approach. The torture scenes aren’t in your face, in other words more is implied than actually shown. I’m grateful that Levy took that approach, but I still had a hard time finding anything entertaining about this movie. The characters are all one dimensional and the plot is very predictable. From the moment Jeffrey Combs (Re-Animator) appears on screen you know his character is up to no good and it’s not hard to figure out where the plot is heading. Steffen Schlachtenhaufen’s script is weak and his characters are all one dimensional. He couldn’t have given Sasha Grey’s character a more stereotypical role than he did with her character here. And the same could be said for Combs and Robin Lord Taylor’s characters. Perhaps I’m being a bit too critical of this film because I saw this after having seen Cheap Thrills, which I thought this film was ripping off (but apparently this was made before it). I wasn’t a huge fan of Cheap Thrills either, but it is a much better film than this and at least it offered plenty of surprises and twists along the way.

The film introduces us to Iris (Brittany Snow) a young woman who is trying to take care of her ill younger brother, Raleigh (Logan Miller), who requires expensive treatment for his leukemia. In the next scene Raleigh’s doctor, Barden (Lawrence Gilliard Jr), calls her to his office and introduces her to a wealthy man named Shepard Lambrick (Jeffrey Combs) who has an interesting proposition for her. He invites her to his home for a game in which she will be competing against other guests and the winner will receive full payment for their treatment from his foundation. She’s not convinced about accepting the invitation, but she feels impelled to go for her brother’s sake. Once she arrives at Shepard’s home she is introduced to the other guests: Lucas (Enver Gjokaj), Travis (Charlie Hofheimer), Linda (June Squibb), Peter (Robb Wells), Cal (Eddie Steeples), Amy (Sasha Grey), and Conway (John Heard) who have all been invited for similar reasons. Shepard then invites them to the table and along with his son, Julian (Robin Lord Taylor) and several body guards he tells them the rules of the game. The premise is simple, it is the familiar game of “would you rather” where the participants are given two options and they choose which one they’d prefer, with the exception that in this game they have to act upon the action they choose, and neither of them are very promising. It doesn’t take too long until the guests realize they’ve been invited to be a part of a very sadistic game. 

There isn’t really too much I can say about this movie, other than the fact that I found it rather tasteless and predictable. The performances were all weak, but the main problem relies on the weak script they were given. I mean just look at June Squibb and what she did in Nebraska and compare it to the material she is given here where she isn’t allowed to shine at all. Brittany Snow and Enver Gjokaj are the two how come out best in this film but neither of them did anything special or groundbreaking here. After seeing this I felt like Cheap Thrills was a masterpiece next to it. I’m probably not the right target audience for this film, but I couldn’t find any of it worth recommending.