Furious 7 (8/10): The over-blown action scenes continue to improve the beloved franchise

"This time it ain't just about being fast.”

James Wan, who is well known for directing horror films (The Conjuring and Saw), took over the seventh film in this franchise replacing Justin Lin who had been sitting on the director’s chair since the third installment. What I found most interesting about this franchise is that it didn’t seem like it was going anywhere after its solid debut in 2001 since the first couple of sequels focused on different characters and storylines. Even when they got the entire cast back together in 2009 for the fourth film I didn’t feel like it was anything special. I’d always mildly enjoyed the films, but it wasn’t until Fast Five that I was really engaged with the series. Justin Lin may have not impressed me before, but when that film came out he decided to have fun with the overblown action scenes and audiences embraced it completely. We had the team reuniting together being chased by tanks and planes and pulling off nearly mission impossible tasks. My greatest concern for this film was that Wan wouldn’t follow that basic formula that had elevated the franchise in the first place. But in an early scene in the film those fears were soon gone when Wan practically gives the audience a wink by having Brian (Walker) telling his son that “cars don’t fly” when he playfully throws a small toy car through the window. We were about to find out that that claim wasn’t necessarily true because throughout this film we actually see several cars fly during the spectacular action scenes. 

By the end of Furious Six the franchise was tied perfectly together by uniting the events that took place in Tokyo during the third film with the present. In the fifth and sixth installments Toretto (Vin Diesel), Brian (Paul Walker), Tej (Ludacirs), and Roman (Tyrese Gibson) had finally found financial stability and cleaned their names to return home. The character of Agent Hobbs (Dwayne Johnson) had helped reinvigorate the franchise and Letty (Michelle Rodriguez) was brought back from the dead (well actually she never really died, but fans of the franchise know what I mean). Mia (Jordan Brewster) and Brian were enjoying their newfound family life, but as we found out in the end of the sixth film, Owen’s brother Deckard (Jason Statham) was set on avenging him. Their seemingly peaceful life  is interrupted as the team begins to be hunted down by this dangerous British criminal. Loretto is offered the opportunity to flip the papers on Deckard from being hunted to becoming the hunters when a secret government official known as Mr. Nobody (Kurt Russell) offers him a deal. A Somalian mercenary (Djimon Hounsou) has kidnapped a hacker known as Ramsey (Nathalie Emmanuel) who has developed a computer program known as God’s Eye that basically allows you to find anyone across the globe in a matter of seconds. If Toretto’s team can rescue Ramsey and retrieve God’s Eye he will let them use it to track down Deckard and catch him off guard. And so the adventure across the globe begins with flying cars, helicopters and droids exploding across the mountains of the Middle East, the elegant buildings in Abu Dhabi, and the city of Los Angeles. 

Gisele and Han were part of the reason why I enjoyed the previous films so much so I was worried that their absence in this film would hurt the movie, but the addition of Jason Statham as the main villain of the film elevated this to a higher level. There are great fight scenes between him and Dwayne Johnson and then with Vin Diesel that were incredibly entertaining. These are probably the best action stars of our generation and when the fighting choreography is filmed correctly you can’t go wrong with these guys.  There are also some fantastic action scenes involving fast car chases across a gorgeous mountain that ends in a Jurassic Park like cliffhanger. The action scenes are overblown, but that is what makes them so entertaining once you learn to accept the absurdity of it all and simply enjoy the ride. Over-the-top action scenes is what elevated this franchise in the first place and Furious 7 continues to play with that same premise taking advantage of Wan’s knowledgable work behind the camera and his use of different camera angles which makes the film look all the more entertaining. 

The greatest success of Furious 7 is being able to blend the incredibly fun action scenes with the dramatic elements involving the chemistry between the characters. We’ve grown to love these characters and each new addition always seems to work. Furious 7 takes some common themes from films like Mission Impossible or Ocean’s Eleven and applies them really well here. Tyrese Gibson plays a similar character to the one Matt Damon played in Ocean’s where he wants to prove his leadership qualities to the rest of the crew. There are elements recycled from other action films, but thanks to the cast it works extremely well in this franchise. And then you have the emotional aspect of this film surrounding Paul Walker’s untimely death. You can’t help but feel emotionally engaged towards his character knowing that the actor has recently passed away. There are several scenes of his face where the CGI seems evident, but the voice work was perfectly executed. The CGI never distracted me however, and I’m glad they decided to continue with the production of the film. The last five minutes are emotionally engaging and without spoiling the film all I can say is that the crew did him justice with a beautiful tribute. Furious 7 continues to build on an already engrossing franchise and it might just be my second favorite after Fast Five. 

My Review: Insidious (5/10)

"You may be a superhero, buddy, but you're not invincible."

Insidious began with a lot of promise and several scares, but midway through the film it began to lose its appeal and it went downhill from there. James Wan's The Conjuring was one of the best horror films I've seen this decade and I can see how certain elements from this movie (especially the first half involving the haunted house elements) were perfected and used with greater effect there. Wan knows how to scare audiences creating an eerie atmosphere and uses the camera effectively. Despite the interesting premise, I did have some issues with the characters which wasn't a problem for me in The Conjuring. Patrick Wilson was great in that film, but here I felt he had very little chemistry with Rose Byrne. There is one scene where the alarm goes off and he finds the door from the main entrance wide open. He closes the door and sets the alarm on again only to hear it go off a few seconds later and find the door open again. Despite everything that is going on in the house he still doesn't believe his wife and thinks she's overreacting. Even if he didn't believe the ghost story then at least he should've called the police because someone is forcing the door open and sounding off the alarm. I just found it hard to believe he would go back to sleep after that. The characters weren't developed very well, but the scares still worked during the first half of the film. Unfortunately the second half doesn't live up to the standards set during the first half. The final act instead of being scary ends up being laughable, and it is a problem I find with most horror movies nowadays which don't know how to connect the gran finale with the suspense and the tension they've been building.

Josh (Patrick Wilson) and Renai Lambert (Rose Byrne) have recently moved in to their new home along with their two boys Dalton (Ty Simpkins) and Foster (Andrew Astor), and their baby daughter. Strange things begin to occur in the house, and one afternoon Dalton suffers an accident in the attic. He seems to be fine, but when Josh goes to wake him up the next morning he doesn't awake. The doctors can't explain why, but somehow he seems to be in a coma. They decide to bring Dalton back home as he remains in coma and strange things continue to happen. Renai begins hearing voices through the baby monitor and finding blood stains in Dalton's sheets. She begins seeing strange presences and her son Foster claims to be hearing Dalton walking through the hallway at night. Convinced the house is haunted, Renai asks Josh to move again and so they do. At their new home strange things continue to happen, so Josh's mom, Lorraine (Barbara Hershey) decides to intervene. She had a similar experience with her son Josh when he was younger and gets a group of paranormal investigators led by Elise Rainer (Lin Shaye) to come intervene. That is when things begin to get a little freakier. 

One of the major problems with this film is that screenwriter Leigh Whannell (who worked previously with Wan in Saw and Dead Silence) by trying to stay away from the cliches of the genre takes us to unexpected places during the second half of the film. For instance, he thought it would be great if the family left the haunted house instead of staying there like in other horror films.This should've been a good thing, but Wan was creating such an eerie atmosphere with the classic haunted house formula that somehow it backfired here. The creepy moments that were beginning to scare me completely abandoned me when we got to the new home and the paranormal investigative team began their astral projection talk. This really took me out of the movie and truly disappointed me. The scares were gone and everything became sort of laughable. I think the reason why I really loved The Conjuring is because Wan went back to the classic formula and stuck to the haunted house elements which were working so well for him during the first half of Insidious. I don't think this is a terrible film, but the ending was so disappointing I don't really feel like watching the second film. 

My Review: The Conjuring (9/10)

"The devil exists. God exists. And for us, as people, our very destiny hinges on which we decide to follow."

James Wan has always been a hit or a miss for me as a director considering I was a big fan of Saw, but really hated Dead Silence. When The Conjuring began I was fearing the worst seeing that a doll was involved once again, but fortunately it was just part of a prologue and the main story was about a haunted house. So my next thought was: ok we've seen this scenario played out a million times before in horror films and I'm not a huge fan of spirit demon possession movies. So once again, I had my doubts about this film because I was sure I'd seen it all before and it wasn't really my thing. But I was wrong once again, because this film absolutely blew me away once the main characters were introduced and the story began creeping me out. The Conjuring is nearly a perfect film and in my humble opinion this is the best horror film of this millennium. Wan has made one of the creepiest films I've seen and I found myself feeling goosebumps all over my body during several scenes. The mood and 70's setting worked really well here and the characters were surprisingly all likable as well. The silence in this film worked really well and the score also added to the overall effectiveness in this movie. The best thing about The Conjuring is that Wan didn't go for cheap jump scares, he created a genuine and effective eerie atmosphere that had me tense during the entire film. The performances were all great as well (something that is difficult to find in the horror genre) and the camera work was unbelievable (I recall a masterful scene where one of the young kids senses a presence in her room and looks under the bed with the camera following her point of view). But what I loved the most about The Conjuring is that the film didn't have to use gore in order to shock the audience; Wan managed to scare us with the classical horror film techniques of the old days. This was one of the funnest experiences I've had in the movies this year.

The film claims to be based on true events revolving around a Rhode Island family that experienced strong supernatural activity in their new home. Famous paranormal investigators, Lorraine (Vera Farmiga) and Ed Warren (Patrick Wilson), were called to help this family. The Conjuring is a retelling of what the Warren's found in the house. Roger (Ron Livingston) and Carolyn Perron (Lili Taylor) are a very lovely and hard working couple. They have five beautiful daughters: Andrea (Shanley Caswell), Nancy (Hayley McFarland), Christine (Joey King), Cindy (Mackenzie Foy), and April (Kyla Deaver). Due to their financial struggles they believe this cheap big old house could be a new start for them, but they begin to experience some strange events. First, their dog refuses to enter the house and the next morning they find him dead. All the clocks in the house stopped at 3:07. April, the youngest, begins speaking to an imaginary friend, and Christine begins feeling something pulling her leg at night. Several strange things continue to occur in the home which leave  Carolyn no other choice than to look for these famous paranormal investigators and ask them to help them. After just one visit, the Warrens realize there is definitely a dangerous demonic presence in the home. They promise to help, but the secrets hidden in this house and the threat might even be too menacing for the Warrens to undertake.  

The Conjuring is really well crafted despite the familiar genre and premise. The film kind of surprised me in that it never tried to manipulate the audience with the score. Actually the scariest scenes occur mostly in silence, and when the music begins to play and you expect some sort of scare usually something silly happened to lighten the mood (the scene that comes to mind here is when a door moves and everyone expects to see the ghost manifest itself, but it was actually an investigator coming out of a bathroom). I found the film to be very creepy and I must say that when I went to bed later that night I made sure that my feet were well tucked in under the blankets so that nothing pulled my legs. The film succeeds as a horror story and it really delivers several scares that stick with you long after the movie is over. I think The Conjuring is a modern masterpiece and it might be The Exorcist of this generation. Wan is so good building suspense in this film and making the audience care for the characters. I loved his long tracking shots and the moments of silence that just added to the overall tension the movie made me feel.  I will never forget the silence coming from the audience after the movie ended as if they were still trying to loosen up from all the tension built up in this nearly two hour film. Wan tells this story with such a retro vibe and simple techniques that even clapping hands scared the heck out of me. The Conjuring is intense and everything I look for when I want to see a scary movie. If you think you've seen it all and nothing can scare you, you might want to give The Conjuring a view because it could surprise you.