Star Wars: The Force Awakens (9/10): And so does the franchise!

“There's been an awakening. Have you felt it? The Dark side, and the Light.”

There is a new film that has been released this weekend that not many people may have heard of, so I want to recommend it because it’s worth checking out. Apparently The Force Awakens is the seventh film in the little recognized Star Wars franchise and I’m surprised not many people have been talking about this sci-fi action packed adventure franchise. It seems to have some sort of cult following because there were a few people dressed up in the movies as some of the characters in the film. I’m glad I was lucky enough to have heard about this J.J. Abrams’s directed movie. Abrams who is better known for creating the hit TV series Lost has directed some remarkable films. His first feature film was Mission Impossible III which I will always remember for having one of the best villains in the franchise (played by the late Phillip Seymour Hoffman). He followed it up with the reboot of the Star Trek franchise which was a wonderful surprise for fans around the globe. I wasn’t a fan of the franchise myself until I got to see what Abrams did with it. He later went on to direct Super 8 which was as close to a Steven Spielberg 90’s movie that you will ever get. From that point on I knew Abrams could do no wrong. After succeeding yet again with another Star Trek sequel he decided to aim for something much smaller: A reimagining of the Star Wars franchise. If the film has success it will probably be thanks to my recommendation of the movie since I’m hoping it gets a lot of word of mouth. Please go watch this movie even if you haven’t seen the other films in the franchise because it stands on its own. It is almost a remake in a way since it follows the basic blue prints of the original film with some returning characters. I guess Abrams can receive some of the credit because everything he’s done up to now has been highly entertaining. Hopefully the film will be a success and that way people will go back and check out the other films in the franchise starting way back in the late 70’s.

The Force Awakens takes place some 30 years after Luke Skywalker (Mark Hamill) and Han Solo (Harrison Ford) defeated Darth Vader’s evil Empire (sorry for the spoilers if you haven’t seen the original films). It was a battle between the dark forces and the light. Now the galaxy is facing a new threat. Supreme Leader Snoke (Andy Serkis) has been training his apprentice, Kylo Ren (Adam Driver), and establishing the First Order which wants to rule the galaxy and put an end to the Resistance which is led by General Leia (Carrie Fisher). Ren is extremely powerful and he uses the dark side of the force to his advantage subjugating anyone who opposes him. The only one who could threaten his abilities is Luke Skywalker, but he has disappeared and no one knows his whereabouts. Both the First Order and the Resistance are searching for him for different reasons. One of the Resistance’s best pilots, Poe Dameron (Oscar Isaac), has received an important tip about his whereabouts, but when Ren finds out he will stop at nothing to retrieve the information. Dameron has no other option but to hide the information in one of his personal droids (BB-8) and sends him off before being captured by Ren. The droid is discovered by a young scavenger named Rey (Daisy Ridley) who helps BB-8 escape from some mercenaries who are after it. Rey and the droid find assistance from an unlikely ally, a rogue stormtrooper named Finn (John Boyega) who is fleeing from the First Order. The fantastic sci-fi adventure begins as these fugitives try to reach the Resistance before the First Order discovers their whereabouts.

Abrams and Disney both leave their personal stamp in this film. There are classic Disney elements to this story which are told through Abrams’s unique style. Abrams knows exactly what his audience wants and he delivers a nostalgic piece of filmmaking by following pretty much the same beats as the original film did. Disney recycles some of its known humor and adds its own familiar tragic elements. I don’t know if The Force Awakens is more of a sequel than it is a reboot with returning characters because it feels so familiar and predictable. But it is exactly what fans wanted and it delivers. Darth Vader is probably the best villain in the history of film, but here Abrams manages to craft another memorable villain who comes close to matching him. Kylo Ren will probably become a pop culture icon just as Darth Vader has been over so many decades. Driver delivers a fantastic and memorable performance although my only complain about his character would be that his powers seem to weaken throughout the film after such a powerful entrance. Although I’m sure that will be resolved in the next film which will probably have a similar tone to The Empire Strikes Back which is my favorite film of the franchise. Harrison Ford stands out once again as Han Solo and he gets a lot of screen time, reminding us all why he is such a beloved action star. He delivers most of the funniest lines in the movie just as he did in the late 70’s and 80’s. The new additions, Daisy Ridley (who reminded me of a young Keira Knightley), John Boyega (who was discovered in the fantastic British horror comedy Attack the Block), and Oscar Isaac all deliver fantastic roles and inject the movie with fresh and well established characters that will deliver the franchise beyond nostalgic value. The Force Awakens had huge shoes to fill, but Abrams managed to reinvigorate the franchise by combining fresh blood with returning beloved characters. Fans will definitely be pleased with the film although it is hard to match the greatness of the original films due to its predictable nature that has more nostalgic value than anything else. We will have to wait and see how it works with younger audiences and if it stands the test of time. 

While We're Young (7/10): An honest and funny portrayal about aging.

“For the first time in my life I've stopped thinking of myself as a child imitating an adult.”

This is my fourth Noah Baumbach film and up to now I have enjoyed all his movies although I still think Frances Ha is his best possibly because Greta Gerwig is the perfect match for delivering the lines he writes. His screenplays are unique and he writes about things he knows and experiences by living in New York. His characters come out as hipster and snarky most of the time and for that reason it’s hard to enjoy hanging around them, but the way Baumbach approaches the material makes the experience an interesting one. Despite writing his films as comedies, Baumbach is concerned with being honest and arousing deep emotions in his audience. In While We’re Young Baumbach also includes the familiar topic of aging, but he does so with his own unique style. In a great scene we see the older generation messaging each other in their latest iPhones, watching series in their Apple TV, and listening to music in their iPods, while the young and cool kids are going vintage listening to old records, playing board games, and watching video tapes in their squared TV. It was an interesting commentary on how at times we struggle to keep up with technology to continue looking young, while the hipsters go out of their way to try to stand out by bringing things from the past but as hard as they try they never do turn out to be very sincere and authentic or as cool as they’d like to be. This generation gap is honestly explored by Baumbach and he does so with his classic comedic touch.

In While We’re Young, Baumbach introduces us to a mid aged married couple, Josh (Ben Stiller) and Cornelia (Naomi Watts) who unlike most of their other married friends haven’t had children. In a way it does affect their friendship with other couples their same age because they can’t relate in the same way. Josh also happens to be a struggling documentarian who has spent the past ten years trying to finish his latest film. He also gives courses and it is during one of those lectures that he befriends a young couple, Jamie (Adam Driver) and Darby (Amanda Seyfried). They are hip and cool kids who seem to be living spontaneously. Darby even makes her own ice cream. When Jamie praises John for one of his earlier documentaries, he quickly takes a liking for the kid and accepts an invitation to hang out with them. Jamie himself is an aspiring documentarian and Josh decides to take him under his wings and assist him. Both John and Cornelia befriend this young energetic couple and their lives begin to change. They enjoy the feeling of being able to look and act young again, but not everything is what it seems.

Ben Stiller has worked with Baumbach in the past and he sort of plays a similar character here. He is full of himself and seems to be discontent with the way his life is going. He is still at his dramatic best when working alongside Baumbach. It was fun to see his transformation once he befriends Driver’s character and even begins wearing a fedora to look hip. Naomi Watts is also great and delivers in her physical comedy scenes, especially in one where she is invited to a hip-hop dance class with Darby. Adam Driver also returns after his collaboration with Baumbach in Frances Ha and his character is very phony. From the moment he appears on screen you realize he isn’t as spontaneous as he claims to be. The film is at its best when it focuses on the dynamic relationship between these two couples, but it gets off course at times when it tries to be a commentary on artistic integrity. Baumbach didn’t seem capable of balancing those two themes and for that reason the later section of the film doesn’t work as well as the first half.       

Frances Ha (8/10): Greta Gerwig charms and dances her way through Frances Ha

“I'm so embarrassed. I'm not a real person yet.”

I found Frances Ha completely irritating and the black and white cinematography pretentious, but that was only for the first five minutes of the film because once I was submerged into the world of this character I was captivated by it. I don’t think I have experienced a change of heart so quick while I was watching a film as I did here because soon I was in love with this character. Greta Gerwig’s performance as Frances Ha went from irritating and phony to charming and sweet in a matter of a few minutes. The black and white cinematography had the feel of a French New Wave arthouse film, but to my surprise it ended up being much more than an imitation or a simple homage. Noah Baumbach is aware with the fact that many people have trouble identifying with these quirky NY East Side characters and he deviates the plot from what we are expecting it to be very quickly. If this year Richard Linklater delivered the ultimate slice of life film on the transition from boyhood to teenager, then Frances Ha could be considered as Baumbach’s slice of life film about adulthood and finding a place in this world. It isn’t a perfect film, but it does explore the issues of self-discovery and learning who we are in life. Frances Ha is a very subjective film considering its enjoyment may be connected with how much you identify with Frances’s situation. All her friends are moving on with their lives and she seems to be stuck in the same place dealing with the uncertainty of her life. Her friends seem to have their lives resolved, but she doesn’t know what direction she is heading. Audiences who have experienced or are experiencing this same uncertainty might find it easier to relate with the film and enjoy it more for capturing the truth of their lives in some way. I connected with the film and wouldn’t mind rewatching it again, but I can see how it isn’t a film everyone will enjoy. 

Greta Gerwig delivers a solid performance and gives this nostalgic film an upbeat feel to it. She drew me in with her uplifting performance and I found it impossible to resist her charm despite her flaws. She balances the charm with the quirkiness of her character. You can hate her for being so possessive, but at the same time you can fall for her optimism and contagious joy. You forgive her for the bad decisions she makes and route for her nonetheless. This is Gerwig’s best performance to date. She had already caught my attention in Baumbach’s earlier film, Greenberg, playing opposite Ben Stiller, but this is a much better film. Despite enjoying The Squid and The Whale and Greenberg quite a bit, this is Baumbach’s best film. It may have to do with the fact that Gerwig herself contributed with the screenplay and that she is in every single scene of this movie. This is absolutely her movie and she delivers. Mickey Sumner, Adam Driver, and Michael Zegen give solid performances as well as they all interact in some way with Frances, but she is the heart and soul of this film. I also enjoyed the soundtrack of this film and there is a scene where Frances is walking through the streets of New York with David Bowie's "Modern Love" playing the background which will leave a smile on the audiences’s faces.