My Review: Begin Again (8/10)

“I just think you have let your troubles get in the way of your entire life.”

There is no doubt that music has a deep influence in our lives, and there is no one who expresses this better in movies than director John Carney, who has returned to the musical drama genre after his success in 2006 with Once. Begin Again is sort of a love letter for musicians and aspiring musicians as well, reminding them about the importance of not selling out and remaining authentic. This is a big part of the dramatic narrative and Carney, a former musician himself, reminds audiences that music is personal and has a different meaning for everyone. This isn’t your standard rom-com because the screenplay is written in such a way that you never can fully anticipate what direction it’s heading. Rather than centering on a love relationship it focuses on a work collaboration between people who are passionate for music. Somewhere along the way they got their hearts broken and lost their motivation, but a coincidental encounter brought these two characters together and set them in the right path once again. I fell in love with these characters and found it hard to resist this feel good film. The chemistry between Mark Ruffalo and Keira Knightley was special and charming. This film may have flown under many people’s radar, but it is one that is worth checking out. There are plenty of authentic and funny moments while the dramatic elements are also engaging. The cinematography might not be the best we’ve seen, but the rich characters and charming score make up for it. Begin Again is a joyful and genuine film that pulls at your heart strings without ever feeling manipulative or clichéd.    

The performances are a huge part of the success of this uplifting and cheerful musical film. Mark Ruffalo has been on quite a role lately and once again he plays a rather flawed character in such a way that he still manages to remain likable for the audience. This lost musical producer seems to find his way when he encounters Keria Knightley’s character in a bar one night. Knightley is fantastic as well and I felt her performance to be impressively genuine and authentic. Every scene she shared with Ruffalo felt real and the dialogue was never forced. The natural chemistry between these two is something you don’t run into very often. I would go as far as saying that Knightley’s performance is one of my favorite of the year. Adam Levine gives a solid performance playing this self absorbed rising star. He is a better singer, but that doesn’t mean he can’t act. Hailee Steinfeld has grown as a mature actress, but she has always been a force to reckon with ever since her outstanding performance in True Grit. Most Def and Catherine Keener also have solid supporting roles. Everything about this film is charming and hard to resist despite the fact that it remains small and unimportant. It’s simply a feel good movie that pays homage to the influence of music in our lives, and lets us in on the creative process while at it. 

My Review: Life of Crime (5/10)

"She looks like a million bucks."

If you were to run into Life of Crime prior to having seen Quentin Tarantino's Jackie Brown then you probably wouldn't feel in the mood to see it considering Daniel Schechter's film is a bit of a letdown. Despite being a prequel to Jackie Brown, which was also based on Elmore Leonard's novel, this film doesn't have that same punch to it. This proves just how difficult it is to do what Tarantino does so well. Leonard always writes rich characters who at times seem quirky. He mixes black humor with action pretty well, but in Life of Crime that spark is missing. The film relies on a talented cast who make the movie a bit more entertaining, but the story simply fails to engage and at times everything seems so light and pointless. There is something phony about these characters and the plot which constantly reminds the audience that there isn't anything true or authentic about this world. For a film based on a Leonard novel, the characters don't seem to have much going for them either. These aren't the characters we fell in love with in films like Jackie Brown, Out of Sight, and Get Shorty which were all created by Leonard. If I had to compare it to another adaptation from a Leonard novel I would say this is much more similar to Armitage's The Big Bounce starring Owen Wilson and Morgan Freeman. It is that disappointing no matter how much you  like the cast here. Life of Crime doesn't have anything remarkable to say really, it simply is content with existing and perhaps trying to hook Jackie Brown fans along the way. The comedy doesn't work really well, while the vibe and tone of the film is way too silly to take the action seriously. Perhaps I was just familiar with the characters this time around and found the entire premise a bit too ridiculous, but the film simply didn't engage me as much as other Leonard adaptations have in the past. 

Life of Crime's talented cast doesn't save this mediocre film, although they provide some enjoyment. The one who stands out is John Hawkes who plays Louis (Robert De Niro's character in Jackie Brown). It is remarkable how he can play such a scary and creepy role in one film and then all of a sudden you see how likable and sweet he can be in another. This time around, Hawkes is extremely likable and charming despite being a kidnapper. His partner in crime is Ordell (played by Mos Def in this film and Samuel L. Jackson in Jackie Brown). Def is also charming in this film and the two play off one another extremely well. As thieves they are completely incompetent, but we still want them to succeed. The weak link in this film was Jennifer Aniston who plays Mickey, the wife who is kidnapped. She simply didn't sell the character. Tim Robbins plays her husband, Frank, who is having an affair with Isla Fisher's Melanie. So you can see how the kidnappers plans are ruined when they find out that the husband has no interest in paying the ransom. That is kind of the whole joke of the film. Will Forte and Mark Boone Junior give strong supporting roles as well and there were actually a few moments involving the two that stood out for me comedic wise. The film did open pretty strongly but it didn't seem to go anywhere and several elements were completely left out. For example, Mickey and Frank's son who was introduced in the opening scenes is completely left out of the picture during the ransom. It's as if director Schechter simply didn't know where to take the story once all the characters were introduced. I was a huge fan of Jackie Brown so I was quite disappointed with this prequel.