¨Gentlemen,
you had my curiosity, but now you have my attention.¨
I am a huge
Quentin Tarantino fan and enjoy his movies very much so I had huge expectations
for this film and I wasn’t disappointed. Django Unchained is one of the top
five best films of the year and deserves all the awards it has been receiving.
Is this Tarantino’s best work? No it isn’t, but that doesn’t mean this isn’t a
fun film to watch. It has several flaws; the movie feels messy and a little
overlong at times with some editing issues, but the story is just so fun that
it’s worth it. Inspired by the Spaghetti westerns that Tarantino grew up
watching, he pays homage to those films with Django Unchained. Just like those
spaghetti westerns ended up reinventing a genre that was dying, in a way
Tarantino has reinvented a genre now that had been long forgotten. We’ve seen
very few westerns come out in the last decade (my favorites being 3:10 to Yuma
and True Grit), but none as gritty and dark like this one. It is a western
mixed with Tarantino’s classic dark and violent trademarks. Tarantino actually
defines this film more a southern than a western considering it takes place in
the South pre Civil War era, and it truly is worth the watch. Django Unchained
has some great performances as well; it was a surprise to see Leonardo DiCaprio
playing such a vicious and ruthless role, Samuel Jackson also nails his role as
DiCaprio’s adviser, Foxx takes a while to settle in the lead role but he does
deliver halfway through the film, and then there was Christoph Waltz who was
the highlight of the film for me. Waltz had already surprised film lovers with
his Oscar winning performance in Inglorious Basterds, and here he surprises us
once again although this time playing the hero instead of the villain. In my
opinion his character carries this movie and shouldn’t even be considered as
the supporting character, but rather the leading one. He is a delight to watch
on screen and is truly magnificent. Who would have thought that he could play
such a likeable character after seeing him in the despicable and vicious role
in Tarantino’s previous movie?
This is one
of Tarantino’s most straightforward films with hardly any flashbacks, and it isn’t
divided into chapters either like his other movies. The story opens somewhere in
Texas during the pre-civil war era where we see Django (Jamie Foxx) being
carried off in chains towards a slave market along with some other folks. They
are interrupted by a former dentist, Dr. King Schultz (Christoph Waltz), who
has come to free Django. He is very much against slavery and racial segregation,
so he buys Django his freedom with the condition that he help him find three
brothers who are wanted men, and only Django has seen their faces. Schultz isn’t
working as a dentist; he has found a much more profitable living as a bounty
hunter so he teams up with Django who is more than willing to help find these
men who abused his wife Broomhilda (Kerry Washington) and sold her to a
ruthless plantation owner down in Mississippi known as Candie (Leonardo
DiCaprio). Django and Schultz become such good friends that they become
partners in the bounty business and later the Dr. agrees to help Django on his
quest to free his wife from Candie. It won’t be an easy task so they have to
come up with a plan first, but Schultz is so inspired by Django’s love for his
wife that he agrees to help him. In Candie’s gigantic residence we are
introduced to some new characters such as his loyal adviser, Stephen (Samuel L.
Jackson) who is in charge of all the slaves and household duties, and several
other employees of Candie. One thing is for sure, freeing Broomhilda from all
these men won’t be an easy task.
My major
complain (although it really is a minor one because I did love this film) is
that it runs a bit too long. I thought the climax was reaching its highest
point at least 30 minutes before the ending, and it did hurt the movie a bit
that it extended itself. Tarantino is a master at creating tension and
suspense, and he does it once again here, but he could have ended the film
there instead of including another act where he has a small role as an
Australian that just doesn’t work. The film is very violent, but Tarantino
always finds a way to make you laugh (a task that isn’t easy) with a smart and
inventive script. Racial abuse is pointed out here in a very strong way similar
to when Tarantino showed the Nazi’s abusing the Jews in Inglorious Basterds. The
excess in racial abuse is very clear and can be hard to watch for some, but it
has a powerful effect, especially thanks to DiCaprio’s portrayal as the vicious
and abusive slave owner. The real star of the film however is Christoph Waltz
who really makes this film a lot more fun. It was one of my favorite
performances of the year. Django Unchained may have just reinvented the western
genre altogether with this inventive Tarantino script. The ending might be
pretty predictable for a Tarantino fan, but the entire ride was just so
exciting and such a fun experience. I agree with what A.O. Scott said about the
film: ¨It is digressive,
jokey, giddily brutal and ferociously profane. But it is also a troubling and
important movie about slavery and racism.¨ This is one
of the most entertaining movies of the year, but it could be divisive for some.
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Sin duda una de las mejores películas del año, Tarantino lo mezcla todo, Pulp Fiction, Basterds, Kill Bill, con un resultado excelente (su película mas taquillera), y a diferencia de sus previos trabajos en esta no hay un personaje femenino tan desarrollado (The Bride, Shoshana) y lleno de acción, lo que me parece muy interesante viniendo de el ya que da un contraste imporante a su capacidad de "storyteller", aunque el significado de sus historias sigue siendo la venganza Tarantino este vez va mas alla se inmiscuye en la historia verdadera de la humanidad y la gran lucha eterna de la desigualidad entre razas. Una pena que no haya sido nominado a mejor director. En cuanto a actuaciones coincido que Waltz nuevamente se roba el show, en lo que a mi parecer iba a ser un papel muy parecido a su papel en Basterds, me dejo sorprendido mostrando mucha versatilidad.
ResponderEliminarEstoy de acuerdo contigo...parece que Tarantino ha encontrado su musa ahora en ChristophWaltz! Dicen que es su nuevo Uma Thurman! Es que si bien Tarantino es un gran narrador, tmb necesita un actor que pueda ¨deliver¨ los dialogos con un tempo perfecto. La verdad que me encantaria verlos a este par trabajando juntos. Si bien sus temas puedan llegar a parecer repetitivos, de alguna manera se reinventa siempre y entrega algo fresco y original. Definitivamente estará en mi top 5 del año
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