Mostrando entradas con la etiqueta Peyman Moadi. Mostrar todas las entradas
Mostrando entradas con la etiqueta Peyman Moadi. Mostrar todas las entradas

22 dic 2014

Camp X-Ray (7/10): Kristen Stewart and Peyman Moaadi form a unique prisoner-guard bond

“I never agreed to follow your rules. If I follow your rules it means that I’m agreeing that you have the rights to give me rules, but you don’t.”

Peter Sattler has just made a name for himself after this pretty impressive debut as a writer-director. His screenplay never feels manipulative and he simply tells a minimalist story without being political about it. The film hit home for me because there has been a lot of political discussion in Uruguay as to wether or not the President should’ve accepted the transfer of six Guantanamo Bay prisoners to our country. These prisoners had been discharged in 2010, but no country was willing to receive them. After watching this film, I think we made the right humanitarian decision. Sattler never intends to portray these detainees as either guilty or innocent. We aren’t informed about the detainees’ past, but it rather focuses on a unique relationship between one of the prisoners and a guard. It would have been easier to turn this into a political film, but not everything is black and white and Sattler intelligently turns this into a humanitarian story about two people with different backgrounds who find a connection while at the prison camp. There are several parallel scenes where we see the detainee locked in his cell and the guard in her small room kind of like reflecting the fact that they are both prisoners and victims of their circumstance. This isn’t a political film nor a military bashing one as some people claim; it is an authentic character driven drama that will make you question certain issues. 

In order for a film like this to succeed you need to have engaging performances from your cast, and this was the case for Camp X-Ray. I’ve never doubted Kristen Stewart’s ability as an actress. She’s given solid performances throughout her career, but unfortunately when given a poor script there is nothing she can do to improve it. She proved she has more than one facial expression in this year’s Still Alice, and here she gets more screen time to prove her talent. She is convincing as the guard, and her chemistry with the prisoner is the most engaging element of this film. The film also has a subplot revolving on how she is abused by some of the men in power, but the documentary The Invisible War handles this issue in a much better way. Having seen the documentary, I identified with how poorly she was treated, but for audiences who haven’t been exposed to the documentary they may not make much sense out of this subplot. But it is clearly an important issue with women in the military and how many times their complaints are met with hatred and often ignored. Kristen Stewart’s performance was solid, but the film entirely belongs to Peyman Moaadi who delivers a great performance as the detainee Ali. I knew his face was familiar, but only when I looked him up in the IMDB did I realize he was the actor from A Separation. He is outstanding in this film and his character is the most engaging of the film. It works thanks to the fantastic chemistry the two have together because the rest of the characters are completely ignored. We don’t get much depth from the rest of detainees nor the other military officials, with the exception of Lane Garrison who is solid as one of the officials who often abuses his position of power. Overall, this is a solid film that centers on a unique relationship between two people who aren’t as different as one would expect. 


17 ene 2012

My Review: A Separation (9/10)


¨What is wrong is wrong, no matter who said it or where it's written.¨

Critics have been raving about this Iranian film and after finally getting the chance to see it I can see why they were so pleased with this social drama. It is a very well told story with great performances. Filmed mostly with a handheld camera, the movie feels very authentic and real. At moments you forget you are seeing a movie, and feel like you are watching a real family with real problems. Iranian director, Asghar Farhadi, knows what he is doing and delivers a near perfect film. He captures a glimpse of an Iranian family and lets the camera tell the story. What at first seems like a movie that`s going to focus on the separation between the husband and wife later becomes more complicated and interesting when the main character is charged for murder and we see the way the Iranian law system works. We also experience how the entire situation affects the different members of the family. I also liked the final reveal near the ending as I wasn’t sure how the story was going to pay out, and it worked really well. Most foreign films tend to deal with social issues since these movies are cheaper to make and they don’t count with the costly productions that Hollywood films have to create spectacular visual effects and action scenes. That is why more emphasize is put on the storytelling in order to capture the viewer`s attention. The storytelling here is the center of the movie and we truly care for what the characters are going through. We can relate to these people despite their different culture and beliefs. They have to deal with similar issues that most families need to deal with, and that is what makes A Separation a universal movie.

Nader (Peyman Moadi) and Simin (Leila Hatami) are getting a divorce because Simin wants to leave Iran and find better job opportunities in another country. They have been waiting over a year for their Visa to go through and once they finally get it Nader decides he doesn’t want to leave the country because he has to take care of his father (Ali Asghar Shahbazi) who has Alzheimer. Simin won’t leave without her daughter, Termeh (Sarina Farhadi), but she wants to stay with her father since she knows that if she stays her mother won`t leave. Simin ends up moving to her mother`s home and since she`s gone Nader has to find someone that can take care of his father while he is at work. He hires a pregnant lady named Razieh (Sareh Bayat) who stays at the house while he`s off to work. Razieh is very religious and she doesn’t feel like she should be working at an adult male`s home, but she has to take the job since her husband, Hodjat (Shahab Hosseini), is in debt and without work. One day Nader arrives home only to find the door locked and no one answering. He finds a spare key and enters his home only to find his father lying on the floor tied to the bed. Nader unties his father and gives him respiration and fortunately he survives. In the middle of the chaos, Razieh returns to the house and Nader is so furious that he pushes her out of the door. The next day Nader is called to court since Razieh loses her baby and wants to charge him for murder. This is where the mystery of what really happened begins as both sides try to prove their point.

A Separation recently won the Golden Globe for Best Foreign film and rightfully so because it`s a powerful film. It will probably be one of the nominated films for the Oscars, and as much as I liked this movie I still didn`t find it as powerful as other foreign films I`ve seen such as City of God, The Prophet, and The Secret in Their Eyes. This Iranian film is still great, but I don`t think it would be on my top 5 list of the year. It`s still a strong and memorable movie and probably the best foreign film of the year. The performances are also really great, I really loved these characters and they had real good material to work with. For those people who think everything in Iran has to do with terrorism, then they should definitely see this movie and realize that most Iranians are just normal citizens like everyone else. The one thing that director Farhadi does seem to criticize about his country is the way that the law system works. There aren`t any lawyers involved, every man has to defend himself in front of a judge like if they were having a normal conversation.  A Separation is a great film and no wonder it became the first ever film to win three Bears from the Berlin International Film Festival. This film is worth checking out, and I would really like to see Farhadi`s previous work since I wasn’t familiar with him before this.