Mostrando entradas con la etiqueta Jim Mickle. Mostrar todas las entradas
Mostrando entradas con la etiqueta Jim Mickle. Mostrar todas las entradas

28 oct 2015

We Are What We Are (4/10): Not easy to digest

“We need to stick together now.”

There is no doubt in my mind that Jim Mickle is a very talented director. His film, Cold in July, was one of the pleasant surprises from last year, so I decided to give his earlier film, We Are What We Are, a watch. It was well received by critics and I understand why because it is well shot and Mickle knows how to build the right atmosphere, but this horror film was a bit too gory for my personal taste. I don’t get any pleasure from watching films like this with shocking and graphic visuals without serving any other purpose. We Are What We Are isn’t a horror film that aims to scare its audience, it’s true purpose is to shock them through a carefully constructed build up. The film is a bit slow paced but it doesn’t take too long to introduce us to the premise. What it amazingly does well is keep up the tension once the premise is revealed, which I thought would be the highlight of the film. The story still delivers twists along the way, but it simply didn’t work for me because certain scenes were just too difficult to digest.  

This horror drama is actually a remake of a 2010 Mexican film directed by Jorge Michel Grau, but most critics agree that this is the superior version thanks to Mickle’s craft and solid casting. The story introduces us to Emma Parker (Kassie DePaiva) as she is heading towards a grocery store. She is apparently very ill and collapses after exiting the store. She falls into a pit that is flooded from the pouring rain and drowns. When the officers arrive to her secluded home to inform her family we meet her husband, Frank (Bill Sage), their two daughters, Iris (Amber Childres) and Rose (Julia Garner), and their young son Rory (Jack Gore). It is evident from the get go that the Parker’s are hiding a secret. The daughters are very fearful of their father and seem to be very submissive. Frank is a religious man and he has his family fasting for the day as they prepare for one of their strict rituals. The death of his wife has shifted the responsibilities for everyone in the family, and despite the pain of losing his wife, Frank is determined to go on with their custom. However the unrelenting rain has uncovered a secret near the Parker’s property that Deputy Anders (Wyatt Russell) has begun investigating. Doc Barrow (Michael Parks) has also found some disturbing evidence while examining Emma’s body, but his theory is a bit far fetched. It all leads to a shocking discovery. 

I don’t want to give away what the shocking revelation is although it has been detailed in some summary plots. I actually went into the movie knowing what it was, but it isn’t really much of a surprise either considering that it is revealed early on in the movie. What Mickle manages to do well is keep building the drama and the suspense despite it all. The performances here also elevate the material. Bill Sage is a menacing presence and the control he has over his family is very believable. The two daughters are also brilliantly portrayed by Childres and Garner. The film has its strong moments, but as I said before there are too many scenes that disturbed me and didn’t allow me to enjoy the film at all. We Are What We Are is one of those films that delivers exactly what you are expecting so if you are a fan of gore you probably will be satisfied, but if you have a weak stomach like I do then this isn’t the film for you.      


23 ene 2015

Cold in July (8/10): A pulpy thriller with surprising twists

“You know when a dog bites you... you can either chain him up... or shoot him.”

Cold in July was one of the most surprising films of 2014 for me considering I didn’t have much expectations for it. I had never heard of director Jim Mickle nor had I read Joe R. Lansdale’s novel so I was expecting a standard and by the books revenge thriller. I hadn’t even watched the trailer for this film, but I did want to see Michael C. Hall in a starring role considering I loved his work in Dexter. I got much more than I bargained for from this witty and entertaining thriller set in 1989 East Texas. It begins as a simple revenge tale after a family man (played by Michael C. Hall) kills a burglar in his home. It turns out that the victim was a wanted felon so he becomes sort of an overnight hero in his small town. However, the victim’s father (Sam Shepard) shows up and begins to threaten his family. Up to this point everything felt by the books, but I was still having a good time with it. From the opening scene I felt the tension and was enjoying the suspense, but when the twists began kicking in it simply elevated the film to a whole other level. With each twist and revelation the film grew on me more and more because it became unpredictable and grittier. It also has its touches of humor scattered throughout the film thanks to a strong supporting performance from Don Johnson. I had a great time with this film as it kept me at the edge of my seat. I absolutely recommend this well paced thriller which plays with its well known genre conventions.

The strong performances in this film are a big reason why the twists and thrills work. First of all, Michael C. Hall gives in my opinion the best performance in his career. He carries the film from beginning to end as we see the transformation he experiences after the fatal incident in his home with the burglar. The town may recognize him as a hero, but he feels uneasy about having killed a man even though he was defending his home. When Sam Shepard’s character shows up fear begins to creep in to his life and Hall portrays these feelings perfectly. Shepard is also outstanding in the supporting role as his presence is threatening. But Don Johnson is the one who steals the show from the moment he appears on screen driving a flashy red car and wearing a cowboy hat. He is comedic at times, but someone the audience trusts to help solve the mystery. Don Johnson himself helps give the film a more retro vibe than it already had (so does Hall’s mullet). I really enjoyed each one of the characters in this film along with the dark mood and surprising twists. The electric score also adds a lot to the overall atmosphere of the film. I’m really interested now in getting familiar with Jim Mickle’s work because he really surprised me with this film.